Reprinted From
Penguin Eggs Magazine
Issue 32, Winter 2006
Winterfolk V
by David McPherson
Brian Gladstone, a child of the folk revolution
of the 60's, was bred on Dylan. Forty years on, he still sports
the hippie-long locks as a physical reminder to this seminal
time in roots music. Meeting the founder of Winterfolk for a
pint, one learns how this former design and research engineer
gave up a six-figure day job to pursue his passion. "It's a
vision I had," he says. "Its one of those spur-of-the-moment
things that came to me and it has taken on a momentum of its
own"
What
Gladstone did with this musical momentum, from the outset, was
try to emulate a summer festival. He lined up a bunch of venues
in close proximity on the Danforth, in Toronto's East End, so
people could walk from stage to stage and venue to venue. "You
have to be there to experience it. There is a magic in the air.
Everybody on the street is a Winterfolk person ... it's quite an
energetic time.
As a musician with four albums to his credit,
Gladstone understood how hard it is for roots musicians to make
ends meet, especially in the winter. Now in it's fifth year,
Winterfolk does its part by providing a state to some of these
struggling artists.
This year, over the course of three days (Feb
9-11, 2007), more than 80 artists will hit the stages at half a
dozen clubs at that Gladstone now bills as a roots and blues
festival.
And, borrowing another key mantra from the 60's,
the three-day fest this year is free.
Gladstone reveals this decision was reached to
appease the club owners since they felt many attendees, after
spending the money to get into the bar, were not spending any
more cash on drinks, so the club owners were losing revenue.
"The only way to work in harmony with these
venues and not interfere with their business was to make it a
free festival. It will be a struggle, but it's something I have
to do. I believe it will help the festival expand and increase
its longevity"
